It’s a Wrap…

When I started making bundles they were based on a loose, uneducated, shallow, interpretation of Sioux medicine bundles that were mentioned to me by my Sioux mentor, Ben Black Elk. Everything he said impressed me. I was in my early teens when he lived in Keystone just across the creek from us during the summers and posed for tourists at Mount Rushmore.

I’ve done many bundles since 1985 when I introduced them at the Peppertree Ranch show, in the Santa Ynez Valley, north of my home in Los Angeles. Now they only relate to Medicine Bundles because in the primitive years they were the impetus. I describe them in many ways now, wraps, bunches, assemblies, packages, groupings, batches, collections, accumulations, and sometimes, they’re … well, bundles.

I make inventories of paper sculpture versions of feathers, leaves, horns, weavings, insects, plants, symbols, and many other elements that are cut, manipulated, painted, and put away in pizza boxes for future use. I draw upon these inventories when attempting to assemble something.

These are some of the contents of one of the pizza boxes before brushing off the crumbs and painting.

These are some of the contents of one of the pizza boxes before brushing off the crumbs and painting.

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They become collage in dimension without much attention to content or reality. In Butterfly Bundle, are the wings enormous or is the bundle very tiny on normal size butterfly wings? Who cares, not me. I collage elements because they fit, seem right, make a statement, or complete an idea. And, remember, at my age, it has to be fun or funny…

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I never know how to title a piece of art. In the early 60s I went to a gallery opening on La Cienega Blvd. on a Friday night art walk. Richard Rubens, a great painting instructor at The Chouinard Art Institute was showing, and one of the works was titled, “In back of beyond.” I was so impressed, and don’t think I have ever reached that level of clever obscurity. I have tried. Oh man how I’ve tried. The bundle pictured above is called, “Good Fortune.”

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Maybe I should have titled this, “The Underbelly of Autumn”. Instead it’s called, “Autumn Bundle.” My titles are so prosaic, you would think I’m trying to sell the stuff off of a chain link fence.

White Tail Bundle

White Tail Bundle

Here for your musical enjoyment are a number of badly titled bundles that shall remain title-free in this post. I’ll be your entertainer here for the unforeseeable future and I’ll come back when I can’t stay so long. Don’t forget to tip your waitress. Good evening.

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At this time I want to thank the many friends who save their pizza boxes for me for without them there would be no filing system and more paper all over the place.

Thanks for visiting me …

leo

P.S. My work is at the Grovewood Gallery in Asheville, NC. Also, I will soon have new work in the Asheville Airport Gallery.

The Hawk & the Hummingbird

Now and then I get a commission and sometimes they come in groups. A Hawk and a Hummingbird came together and became a priority problem. I tried to bring them up together and they both suffered from lack of focus. Way too much time was spent on them because of false starts. The Hawk you see here is the third version. The first two were torn up and tossed after many, many hours of cutting, painting, and assembling, but not nearly enough hours of planning, research, and determining the graphic and dimensional symbols that would satisfy the solution to the problem. If I ever do another Hawk, I will start with the eye and beak and then build a hawk around them. In this case, I built a hawk and tried to fit the beak and eye into the feather structure…had a helluva time.

Hawk Commission

Hawk Commission

I was cutting and painting the Hummingbird and flowers at the same time as the work on the Hawk was being done. The blossoms were just a bunch of flower-like shapes for a couple of months, and again the bird was done several times, until I simplified things and did my impression of a Hummingbird and not a realistic rendition. I seem to get hung up on the beauty of the real bird, and not on what I can do with my limited abilities and the limitations of my technique.

Hummingbird  Commission

Hummingbird Commission


Photos by: Michael Mauny

In my professional past as a paper sculpture illustrator, jobs came in, sometimes more than one at a time, and they had to be prioritized by deadlines. But I always worked on one at a time, sometimes day and night to finish the first and get on to the next.

In the past dozen years or so, when preparing, say, twenty or more pieces for an exhibition, I could work on several at once because they had similar themes and visual content. I found that they fed off each other and elements in one suggested ideas in the others. But a Hawk in autumn had almost no relationship to a Hummingbird among flowers and there was a conceptual fistfight for several months.

I was so frustrated that I avoided going into my studio for weeks, which is why they took so damn long to finish. As an illustrator, I never missed a deadline in fifty years. Currently, I have two more commissions, a male cardinal, in flight, and a mountain landscape. I am going to work on one at a time, for sure, for damn sure!

Thanks for visiting me…

leo

P.S. A new series of collage classes starts on January 17th in my studio.

2015 Jan:Feb:Mar Leo Monahan Unexpected Image Class Flyer